Malekula

South West Bay, Malekula – Where pristine nature meets ancient traditions

Traditional-boy-near-waterfall-South-West-Bay-Malekula A few posts ago I mentioned that  I got involved in helping some locals with the promotion of their regions as tourism destinations through my photographs.  In fact I not only ended up doing the photos, but also dished out quite a lot of advice, since the people on most islands of Vanuatu (besides two main ones – Vila and Santo), well they don’t have much of an idea of what foreigners actually want and their misconceptions could not be further from the truth. That is of course very understandable, since their culture and general approach to life could not be much more different from that of “white people” or most foreigners in general.

For the moment and likely for at least five years or more, most of outer islands of Vanuatu (as all the islands outside of Efate where the capital is located are called) are pretty darn far from being “real” tourist destinations. I mean this in the sense that they are not particularly suitable for those who want to relax in comfort, eat well, drink or party. Outside of about three major towns, there’s no electricity, running water is very uncommon and perhaps the most painful thing, at least for me, is that the locals, for most part could not care less about what they eat. There’s no food culture, which equals to no tasty local cuisine as you get in most places around Asia or elsewhere where there is a food culture.

All the minuses aside, Vanuatu offers something that few places offer these days and that is untouched, pristine and absolutely stunning nature. On top of that the people (the Ni-Vanutatu or Ni-Vans, as they call themselves) are some of the most charismatic, friendly and likeable on the planet. There’s also no hassle, no one attempts to sell you crap that you don’t need, no one tries to trick you or rip you off. As much as I love places like India, Nepal and Indonesia, it gets pretty annoying when people constantly see you as a money bag and come up with the most ridiculously creative ways of making you part with your money. You just don’t have that in Vanuatu, at least not yet.

Besides the already mentioned virtues, there’s of course the culture. As I also mentioned in a past post, the culture is undeniably disappearing, but it hasn’t disappeared yet, at least not everywhere. And while there are still places where you can experience this incredible culture in at least some shape or form, you have to go. In some very strange way it appears that the foreign interest in the culture of Vanuatu’s islands has made a lot of  Ni-Vans realize just how precious their culture is. At the end of the day, it may very well be tourism which will help ensure that not all is completely lost.

But let me now get specifically to South West Bay. It is one of two regions which I photographed with the aim of helping promote it. As you might have already gathered I am also ready to promote it through my blog and the internet in general, but that doesn’t mean that I’m simply going to sugar-coat everything. I’ll tell the truth, and in this case the truth is good enough to get people to come.

My idea to do this little project came after I met a good man by the name of George Thompson. George was born and grew up in the very remote South West Bay, Malekula. Through some visionary thoughts, hard work and twists of fate he was able to become the leading tour operator and the head of the tourism department  in his region. This role even gave George an opportunity to travel to Europe for a tourism expo in the late nineties. He saw places that very few Ni-Vans get to see – France, Germany, Denmark. While he loved the experience, travelling abroad made him realize that things back home were not as bad as some of his fellow countrymen had imagined. Sure, Vanuatu is a poor country by Western standards, but paradoxically there are no homeless people and no one begs for money or food. On top of that the air is fresh and the culture is rich.

When George got back, he had become even more inspired and passionate about showing off his region to the occasional tourists. By 2000 things were looking good, tourist numbers were slowly growing and  the income that tourism provided made people’s lives just a little easier. However, things in Vanuatu can change rather quickly. Corruption and “mismanagement” of funds at the higher level are common and around 2004 the nationwide tourism company “Island Safaris” the branch of which George led successfully in South West Bay went down due to “mismanagement”. Tourism numbers started to decline faster than they rose, without the support of a bigger company there was no way that George or the locals could market their region to the outside world. To add even more pain to the dilemma, the airport of South West Bay was sporadically closing and opening, thus making it harder for anyone to get to the area. In a couple of years there were virtually no tourists visiting South West Bay.

Because of George’s past friendships and connections he was able to get a good job, managing a small resort in Port Villa. He had a relatively easy life and a high salary, by Vanuatu standards. George worked at the resort for a couple of years, but soon he became haunted by the thoughts of home. He was away from his family and he knew that while he was having it easy, the people of South West Bay were struggling. He felt pain and guilt and before long he got back to South West Bay with the hopes of reviving the small, but once stable tourism industry that he helped build.

Fast forward to 2010 and things are not looking so bright. Over the past few years tourism has still been near non-existent. Instead of helping bring up the lifestyle of others, George found himself in a similar situation as them. He didn’t tell me his story when I met him, he’s not the kind of person to whine or complain about life, that doesn’t seem to be part of the Ni-Van mentality in general. Instead I got all of this information out of him during the two weeks that I spent in the area, this of course made me even more motivated to help the man in at least some way.

The particular idea about me making some photos came after George showed me some of the past photos of the places in his region sent to him by tourists. According to his stories, the places were beautiful and the people in those places fascinating and so when I saw images that were let’s say not very inspiring I felt a little uninspired myself. I know that I’m not the only one who gets excited about a place by seeing a single beautiful image of it and so with that thought in mind I suggested that we create a little tourism marketing campaign. The campaign would be a combination of documentary images of some of the more photogenic activities, places in the region, as well as some set up shots of the locals dressed in their traditional costumes in their beautiful surroundings.

For me personally the shoots were a reward in themselves. I have been shooting documentary stuff for years and I’m always interested to be placed into new photogenic situations. As far as the set up shots, it was in a sense even more fun to do them. I’d made a couple of short fiction films while at uni and photo shoots of this sort, while fairly new to me were in a some ways similar to making short films. In this case you could say that the shoots were a blend of fiction and documentary (the line was very thin). Our “actors” had to be themselves, they simply had to be in specific locations, wearing costumes which they used to wear in the past and still wear during celebrations  or as was customary for the chiefs and some village members while greeting visitors (i.e. tourists). The dances, which are a big thing in the region are performed in similar outfits, (usually more elaborate) so all in all the images we created showed what was most visually exciting about the region of South West Bay and something that the visitors would get a chance to see themselves.

And so let me get to the photos. This is a just a portion of the images I created, you can see more HERE and in the coming months. The image at the top is of one of the boys (Pillison was his name)  who I had seen performing the kastom dance at a pig killing ceremony a couple of days earlier. I wanted to photograph him in a similar costume in front of the waterfall, one of the hidden little gems of the area.

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Pillison was a great model so we got him and his little mate into a canoe and asked them to row along the shoreline a little. For full impact, I expect this or a variation of this image to be shown in a bigger medium than the 450 pixel photo on a blog. You can get a better view by clicking on the image (to make it larger). Mountains and sea always look dramatic to me and more so when they’re bigger.

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This is Chief Ayar again. I blogged about him HERE. I took quite a few shots of this fascinating man. I expect that some of them will be used in something like a brochure, while I’d like to use others, like this one along with images that make up a story, which, if things work out will hopefully appear in some of Vanuatu’s tourism magazines.

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A moment from the pig-killing ceremony. During my stay in South West Bay, two chiefs “upgraded” their ranks. Two pigs were killed and meat was shared with the villagers.

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Every pig killing is preceded by a traditional or kastom dance. Only certain individuals are allowed to take part. The young are once again being taught the steps of the dances as part of a cultural revival in South West Bay.

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For those who like hiking, there’s a fascinating hike to the creepy ancient burial site in the hills above the village of Melmes. The guide, a young chief by the name of John was very passionate in telling us about the history of his people. Below those skulls is a mass burial hole, but before the bodies were placed there they were put onto a high rock. Because John’s tribe thought that they descended from the eagle, they had a little custom associated with this bird. They believed that if the eagle were to eat the eyes of the dead body (when it was placed on the high rock), that person would go directly to paradise, if not, well they go to hell. When I asked John whether many of the dead actually had they’re eyes eaten and went to Paradise, he replied with an uneasy smile – “No, most of our ancestors went to hell.”

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Mat-weaving is one of the women’s main occupations. They weave mats for home as well as for sale in big towns like Port Villa in order to generate a small income that usually contributes to the ridiculously high school fees they must pay for their children each year.

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Another documentary image taken inside of the village bakery. The baker is cleaning out the ash before putting the bread inside the oven. Once I am home, near a fast connection I’ll try to post some video that I did in this very atmospheric little spot.

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George’s uncle is one of the highest chiefs in South West Bay, people like him are an “attraction” in their own right, they are living history and chatting to folks like that is always a highlight of any trip. George’s uncle (his name escapes me, it was a long traditional name, not a Western one) had never had a white man in his house before, so he felt a little nervous when I came to photograph him there. He still had reservations about white people in general because in his youth the presence of a white man was usually bad news. He signed to me that they used to kill the locals by making the cutting of a neck gesture with his hand.

My presence I was sure left him pretty puzzled. I was using the off camera flash in a soft box, which meant that I’d click the button on the camera and the flash would go off (away from the camera). George later confirmed that the flash was indeed a source of bewilderment and amusement as his uncle told fellow elders “This white man came to take my picture. He pressed the button in one place and then this bright light would go off in another place! He’d talk to his woman, she’d press something on the thing that makes the light and then the same thing would happen again, over and over!”

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South West Bay is stunningly beautiful. I am not a landscape photographer, but even I was seduced by the scenery of dramatic, red, cliffs and greenery lining the shore. There are much more scenes for the landscape photographer and if I was one of them I’d probably stay even longer.

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More beautiful nature  (click the image for larger size) and another youngster in a canoe. This is in fact a lagoon about a half hour’s walk from George’s house. Beautiful place, warm people and you only have to dip the net in for a few minutes before you catch fish. Once the traditional owner of this area builds a thatched bungalow, this will be a great place to spend a couple of days.

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Just a few hundred meters from the lagoon, you come to this place, which made me feel a little like I was in a forest in Europe. The setting sun made for a perfect lighting scenario and I couldn’t resist making a couple of exposures.

Some final words: For those who are into photography and interested in visiting Vanuatu there are some good news. Through working with me George learned a good bit about what sort of stuff more serious photographers might be interested in. In other words he knows that we don’t like cheesy pictures of kids giving us the thumbs up (very common in Vanuatu) or people standing with their hands by their sides like soldiers before a march. He also understands that sometimes real life is the most fascinating subject of all, so he can help the photographers get access to shoot stuff like that.

I might be doing a workshop in Vanuatu at some stage and if I do there will only ever be one. However for the more independent minded or more advanced photographers, I highly recommend you to get over to South West Bay and to let George show you around. I’ve only scratched the surface here. There’s reportedly a great reef for those who love shooting underwater (I had left my housing near the airport not knowing this) you can go on a wild pig hunt with a couple of dudes with bush knives and a pack of dogs. There are more traditional villages and fascinating elders in the mountains and some folks shoot river fish with bows and arrows.

Oh and did I mention that the whole thing will be extremely affordable, especially by Vanuatu standards? Whatever you pay will go directly to the community, there are no middle-man organizations (as is often the case when you do things through bigger companies). I don’t get anything out of it apart from satisfaction in knowing that I helped someone.  I’ll post more on the prices and the possibilities at a later stage, but if anyone is already interested, feel free  to contact me via this blog or the email on my website.

Fishing on Maskelyne Island

_MG_5652-Edit Those who have been following my blog for a while know that I have a bit of a photographic obsession with fishermen and things related to fishing. It’s not that I like fishing myself (I find it a little boring), it’s that there’s something about the visual aesthetic in the things around fishing that appeals to me. All those gadgets – boats, canoes, nets, sails, oars. Of course I do love eating fish and whenever you’re photographing fishermen, there’s a good chance that there will be at least some fish for dinner. If you ask me, that’s a great bonus.

Because so much of Vanuatu is along the coast, one would think that fishing would be done in every single coastal village. While there’s certainly a lot of fishing, it’s not quite as widespread as I imagined. Nevertheless one of the places I visited – Maskelyne Island, also known as Ulleveo was pretty ideal. Here people mostly fish with small canoes and the process involves a lot of rowing, casting fishing nets and even the occasional use of the local spear gun called “lastic”, probably because essentially it’s just a piece of elastic tied to a piece of wood. I’m proud to say that I tried it out and even managed to spear one fish.

Anyway, the process promised to be pretty interesting and photogenic and I had been dying to use my underwater housing to photograph something besides coral and fish (no offence to coral and fish, it’s just that these subjects just bored me eventually). I went on two little fishing trips – one with a bunch of local children, the other with a few guys around my age. The children were spear-fishing and unfortunately they didn't go for very long because the sea was a little rough, so rough that I almost floated away because of not initially wearing my fins.

The older “boys” technique included the use of a net. They’d spread it out and then someone would start swimming and making strong splashes in the water in the hopes that the fish will frantically swim towards the net and get caught in it. Once in the net the fish would meet their doom as one of the chaps would swim towards it, spear it, extract it and put it into the canoe. At the end of the trip guys didn’t get much fish, turns out I was always in the wrong place while taking photos. I’d scare the fish and cause them to flee in the wrong direction. To console my fishing mates I decided to buy them a bucket of kava, which they appreciated greatly.

About the photos, these aren’t my greatest photographic achievements, but these are the better shots of what I’ve created so far using my Aquatech housing. The big problem was that to shoot something like this (at least the underwater part) truly effectively one needs to know what the heck is going on, what to expect and I didn’t know either. I’ve learned though and my next destination – the remote Banks islands will hopefully provide me with plenty more opportunities to photograph this sort of stuff.

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One of the main reasons I got the housing was to get shots like these. What I mean is shots taken from the level of the water. It’s not underwater stuff, but without the housing you just ain’t getting a shot like this one.

In this particular scene the younger boys are getting ready to jump back into the boat after doing some spear fishing.

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One of the youngsters taking aim at a fish with a “lastic”. Boys start doing this sort of stuff from a very early age. By their teens they are incredibly good swimmers and I guess they’re not bad at shooting either.

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The older guys looking around for the right spot to cast the net. They have a few favourite spots which they come back to all the time and they can recognize them without GPS or anything alike. Another interesting example of a close bond between people and land or in this case water.

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Spreading the net for the fish to become tangled in. I like how the light penetrates through the water, creating a fairly dramatic effect. The thing that I’ve learned so far about light and underwater photography is that – the more light you have the better.

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Often the fish hide in underwater burrows and amidst the coral. The fishermen know where the best potential hiding spots are and always make sure to check them out.

A note on the Aquatech housing. I’ve been using the housing for long enough now to form some kind of an opinion on it. I have to say that it’s pretty cool, though there is a bit of a learning curve as in how to get the most out of it and how not to accidentally destroy your camera. I almost killed my 5D MKII because there was a little knob which got loose. I didn’t realize that water could come through because of that. Luckily it didn’t get too loose and the results weren’t disastrous,  there was simply some leakage. Still, the camera began to act strange and though it’s back to normal now, I can only hope that some vital part inside it is not meeting a slow death by salt water as I type this.

All in all the housing works as it should. It’s great to have a port for a zoom lens (24-70mm) that allows it to be used as a zoom. Though I shot most of the stuff as wide as possible, I did need to get closer without physically getting closer a few times and you aren’t exactly going to be able to change lenses under water and so, the zoomable port is a huge bonus.

I will write much more about the housing later. I think it’s a good product and for the price range it seems like there’s nothing really better, so I think there’s some more valuable info I can share with anyone searching to get a housing for similar use.