One last adventure in Braslav

The-netI’m in Abu Dhabi airport on a 12-hour layover. There’s really no better time to reflect on my most recent and final adventure in Belarus, before I head back to Sydney. With a bit less than a week till my flight I decided that it’ll be a real pity not to visit the Braslav region one last time. When Yuri Ivanych, my friend in Braslav told me that I’d be able to see how the same fishermen brigade which I already photographed works in winter, I was sold on one last visit, much to the dismay of my family in Minsk, and Tanya – my wife.

The main reason was their concern for my driving ability in winter time. After my small car crash in Poland I had a bigger accident the day before New Year’s Eve. Again  - very slippery road, which looked deceitfully decent, I decided to overtake a very slow moving car, but even about 60km/per hour was enough to land my vehicle into a barrier, down a small hill and into a field. A tractor pulled me out and one of those “evacuator” vehicles got the car all the way back to Minsk, as it was not driveable. The story had a happy ending, since no one was hurt and everything was solvable, but understandably my family was concerned.

In any case, I hired a car again and went to Braslav. Luckily everything went very smoothly as far as driving this time, I think I learned my lessons.

Now to the fishermen. The shoot was a dream and a nightmare at the same time. I always wanted to shoot in the winter, in the snow. But that day it was minus 20 Celsius! I will say first of all that the gear held up incredibly well. I shot with the Canon 5D MKII, 20mm f1.8 Sigma and 24-70 f2.8 Canon lenses, I didn’t expect any problems with those, what surprised me was the battery. I filled a 16GB card with stills and even a few videos, the battery still had 28% of life left, I decided to change it simply to avoid missing an important shot when it would finally go flat.

I don’t know how I would rank my own performance. I was in the cold for about 5 hours straight and another two with breaks in a pretty warm car. It’s tough working in such weather. You can’t shoot without gloves, you lose sense of your fingers very quickly, the wind feels like it burns your face and when the sun goes down, staying for a couple of minutes without movement makes your teeth rattle from the cold.

I was not greatly equipped, as far as cold-proof gear for this one, but my friend was impressed with the way I tolerated the conditions. I have to say - it was a great experience, but I won’t be too sad if I don’t have another one like it for a while.

When the fishermen finally pulled out the net, which they managed to spread out under the ice, they didn’t end up with much. Parts of the ice cut the net in a few places and a lot of the fish was lost. Tough day for these guys, they were at the lake for much longer than me and managed to handle it like just another work-day.

At the end me, Yuri Ivanych and the National park driver drove across the frozen lake. In a very timely manner I was told that 10 years ago a jeep went under at about this time of the year, taking four passengers with it. I was advised to hold on to the door handle, to open it and jump, in case the ice cracks. I thought it was a joke, but after seeing Yuri Ivanych holding on to the door handle at the back I realised it wasn’t. The driver joked – if you two are holding on to the handles, what the hell am I meant to do? – Hold on to the wheel! Joked Yuri Ivanych.

casting-the-netA large hole is made in the ice. On one end fishermen cast a net into the hole.

rope-pullingOn the other end, fishermen make holes in the ice and use ropes to capture the net and spread it out. The net is pulled by hand at first and later with the help of a motor and a horse.

Pulling-the-ropeThe working conditions are very manual labour intensive, but things weren’t actually this way before. I was told by the fishermen who have been in the “business” for a while that there was more machinery involved during the Soviet times. Tractors did the job of horses and humans. Now it is unclear where the resources are going, one thing for sure the job hasn’t become any easier.

Old-fisherman-and-horseThis man has been with the fishermen brigade for a very long time. When I asked him “How’s life?” after arriving, he replied - “Life? What kind of life is this? I’m so sick of this shit, I’ve been doing it for 36 years! It’s f—cking cold out here!” I asked him why he did the job. His reply- “What else is there to do?”

smoke-break Not all fishermen lack enthusiasm though. The much younger Leonid, despite his frozen moustache tells me that the work isn’t so bad. He’s used to working because he has a big family and “many mouths to feed”. I asked him about the cold. “You don’t feel it while you work, while you move around, it’s not too bad here, if only someone could wipe the snot off my nose, then it would be perfect.” He jokes.

in-the-darkA fisherman puts a rope in the water then stirs it around with a stick to defrost it. His dog, watches on. She followed her owner and stayed by his side in the blistering cold for the entire day.

The only light comes from the car’s head-lights, however, usually there’s even less light than you see. The car’s lights were only switched-on after my begging, pleading and explaining that I won’t be able to photograph anything without them, at least that helped the fishermen a bit too. I've said it before, it's a tough life. Their salary is about 180,000 Belarussian Rubles per month, that’s a bit over US$60.

That's all for now. My next post will be from home, for the first time in about 5 months.

Greetings from the Holy Land!

_MG_2688-adj

Hi folks, it’s been a long time since my last post and in case you’re thinking that I’ve been buried somewhere in the snows of cold Belarus, you’re wrong. :)

I’m actually in Israel. It’s not a random trip, I’ve had family living here for a while and it was time for a way overdue visit. I won’t get into all the personal details, but rather keep it photography related. A couple of days back I’ve managed to do something I’ve wanted to do for quite a while – go back to Jerusalem.

I visited the “Holy City” in the past, when I was about 13 (with my parents). As a teenager, I was raised  on Christian beliefs and was familiar enough with the Bible to know the significance of Jerusalem. Even back then it felt special.

These days I’m not attached to any religion, but having been exposed to other faiths and life-experiences, I can appreciate the city more than ever before. In reality it’s hard not to appreciate Jerusalem. The old town’s ancient architecture, labyrinth-like streets, bustling markets and hordes of devotees of all races, colours and faiths make it a city like no other on Earth. The closest thing I’ve experienced to Jerusalem was travelling through the old cities of Rajasthan, India, but even they don’t match Jerusalem’s incredible diversity.

I spent most of my time around the famous symbols of the world’s dominant religions – the Church of Holy Sepulchre, the Wailing Wall and the Golden Dome Mosque. That’s where the images you see here are from.

Mine and Tanya’s stay was made much more special thanks to meeting a talented photographer and a super nice dude named - Sasson Haviv. I got in touch with him on the photography site 1X.com a while back and after I randomly emailed him and told him that I was gonna be in Jerusalem, Sasson was all too happy to meet and hang out. He helped me gain an insider’s view, which is something I treasure whenever I go somewhere new. You can check out some of Sasson’s images right HERE.

priest-in-door An Ethiopian priest enters “The Church of the Holy Sepulchre”. The church became one of the favourite photographic places I’ve been in. There’s a lot happening, there’s a great variety of faces, the light is different in different places and at different times of the day. You can just sit in one spot, people-watch and wait for something photo-worthy to happen.

blessingA priest blesses a devotee. I shot this image at the same spot as the photo above, but a bit later on in the day and obviously from a different angle. It’s possible to spend weeks here.

nunsTwo Orthodox nuns absorbing a passage from the Bible. Still the same area, but the opposite side by the entrance to the church.

priestA Greek Orthodox priest changes oil in the lamps above the stone-plate where Jesus’ body is said to have been prepared for burial.

the-tomb-of-chirstA  crowd of devotees around the Holy Sepulchre / The Tomb of Christ. There seems to always be a crowd around it. As holy as the place may be, this is where I saw the less magical side of the church. The person in charge of directing the crowd, usually a monk would tell everyone when it’s time to get out . He’d commonly say - “Hey, come on, you don’t get one hour here, move on!” He would also knock back those who try to squeeze-in without waiting in line. I saw an elderly Russian couple say “Can you please let us through, we are pilgrims.” The answer - “Guess, what? Everyone’s a pilgrim here, get in line!” At one stage the crowd started to get out of control and the monk started screaming almost uncontrollably for them to get back, I guess it was time for desperation.

girl-and-candlesJust by the tomb  is where I continuously saw Russian tourists/pilgrims obsessively burn the fuses of candles which they had bought in the church or brought with them (such is the tradition and it makes the candles blessed in a way). They would buy whole bags of them and would greedily burn the candle-fuses, one bunch after another. Well, at least that gave me a chance to get some shots.

worshippersDevotees praying at the “Wailing Wall”. I have to admit, I know relatively little about Judaism, perhaps that was one of the main reasons I felt less comfortable  shooting at the wall. Ok, that and the fact that thousands of tourists photograph these same people here every day, thus annoying the heck out of the them. There’s about a 50/50 percent chance that you’ll be asked to stop. It’s a tricky situation, because when you see someone in a moment of religious ecstasy, doing the “decent” thing and asking is not necessarily an option. If I had more time, I would come back and do what Sasson does – make friends with some of the worshippers and get their consent before shooting in a more intimate way.

knowledgeThere’s no shortage of knowledge by the Wailing Wall. In the undercover area to the left religious books are aplenty and you always see someone looking for something or putting a book back on the shelf.

girl-soldiersFemale soldiers rehearsing for “the end of army service” ceremony by the “Wailing Wall”. The sight of women in army uniforms and with guns is quite unusual for most people around the world, but it’s just an everyday occurrence in Israel. When I came across the scene I couldn’t resist shooting quite a few frames. It is funny that despite such seemingly serious duty, the girls (who are all probably in very early 20s) joked around, made bored faces, occasionally made faces at me and one even stuck out her butt for the camera.

religionandsecularThere is the ever-present contrast of the religious and the secular in Jerusalem.

view-from-above View of Jerusalem from the side of the Golden Dome Mosque.

mosqueMorning around the Golden Dome Mosque.

marketAt the market by Old Jerusalem’s Damascus Gate.

breadmakersThanks to Sasson we were able to get into this bakery after-hours and take some photos of these two Palestinian brothers at work. They were real nice guys. After we finished shooting, we were offered some of the sweetest tea I’ve ever drank, not necessarily a good thing, but a a sign of the famous Middle-Eastern hospitality Sasson told me about.

smokersIn this place Palestinian men enjoy a smoke of their pipes and play cards. I was quickly told that some of the older, more classy pipes cost as much as 2500 Euros. One of the guys collected them and said that when he smokes his expensive pipe the experience is as great as being with a beautiful woman.

That’s all from me for now. I’ll be flying back to Belarus in a couple of days, I hear it might be –30C by then! Aaah!!!

Summing up my trip and some ideas for the new year

Hutor My Eastern Europe trip’s over. For the first time in a long while I am actually happy that a trip has ended. Perhaps it’s because I am still not completely home, but in Belarus, and in some way the journey is still continuing.

My incredible bad luck continued on the Poland to Belarus road. I had my first ever car crash of a sort when I went over a pile of snow, slightly lost control of the car and then totally lost control when I pushed the brakes (not the best idea to push the brakes). Luckily there was one of those barriers along the highway that separates lanes from each other, that’s what the car hit, first with the front bumper then after sliding and doing a 180° turn, with the back.

We weren’t going too fast and there was almost no traffic, so we ended up unscathed and didn’t collide with anyone else. The car looked…interesting, I regret not taking photos of it now, but Tanya and I were too busy gaffer-taping the front bumper on, in – 13 C weather.

We somehow made it over the border the next day. After seeing the gaffer-taped bumper, the Belarusian border patrol jokingly asked “Is that a bumper from a BMW or yours?”. The customs people felt so sorry for us they didn’t even bother going through the trunk (which doesn’t open anymore anyway).

The important thing is that we made it back in one piece. I guess there is the argument that we were really unlucky, because of all the things that happened along the way, but on the other hand no one even thought it was possible to go to Romania and back in our little 25-year-old Volkswagen Golf. Go figure.

After spending a few days in Minsk, one of my least favorite cities in the world, we decided to go visit some friends in another city. That’s when the car died again on us. I didn’t bother fixing it this time, simply got a hire-car and drove off to Braslav, the region I passionately spoke about numerous times on my blog.

Driving in winter, especially when there are sudden weather changes is a nightmare. From the icy roads to giant puddles, it’s tough and dangerous. I’d be happy to lie low for a few days and that’s exactly what I’m doing in a friend’s countryside house (that’s a picture of it at the top of the post and those are his “pets” below). Just me Tanya, nature and my computer. :) In reality I have a lot of work to catch up on and I hope that’s what I can do, while getting some peace and quiet that was missing during the constant movement around Eastern Europe.

Ivanycha-Kozel

New year is approaching and I already have plenty of exciting plans. Coming back to Braslav in the summer is one idea. It is an amazing region and perhaps my journey around the rest of Eastern Europe made me realize just how special it is.  In many ways it’s still virgin, unspoilt, a little wild even. To wander around the villages here is absolutely fascinating and often heartwarming and the natural beauty is unlike anywhere else.

I’m thinking that it may be worth doing a workshop in Braslav or perhaps even trying something new with the good friend I’ve made here (the one whose house I’m staying in) – a guided photo tour of a sort. It’ll be for those who are more comfortable with their photographic abilities and simply want to have an amazing photographic experience, rather than learn a standard workshop. If anyone thinks it’s a good idea, drop me a line or leave a comment on the blog.

Two personal trips which are close to happening:

Another trip to Indonesia and yet another trip to India. I want to buy underwater housing for my Canon 5D MKII and shoot stuff on fishermen in Indonesia. The last time there were just too many times when I was kicking myself for not having some sort of casing.

The India thing is well, India calls and when it calls you go. It seems to be calling me at least once a year, but hey, I still have only just scratched the surface of what can be done there. I’ve got a few particularly exciting things planned, but I won’t reveal too much just yet.

I like to make plans for the future, actually, it’s more like dreaming up things and then working to make them happen. It’s an amazing feeling when you realize that you are living a dream, but it all starts with nothing more than a thought, an idea. I think it’s important to have those plans/dreams, not only for photographers, but for anyone. Make those dreams achievable and then really work to realize them. It’s sort of what I’ve been doing, without having any particular idea of how to make things happen, I simply make them up, dream and somehow everything falls into place, the important thing is to set those goals for yourself. I guess the clichéd yet encouraging and true thing to say is that – if I made it happen, so can you. :)

So I guess before I end this blog post I’d like to ask; what are your photographic plans/dreams for the next year?

Happy new year folks! :)

Too many impressions - too little time

Budapest-Baths-next-move In a day or two Tanya and I go back to Belarus. Though I’ve had more bad luck and troubles on this trip than ever before, it has been a fulfilling nevertheless.

My main goal at the beginning was to visit Romania, get a taste of it and then just see and absorb as much as possible in a limited amount of time in the other countries I visit. That’s pretty much what happened. Along the way I shot some images for the stock agencies I work with, also something I wanted to do.

In a bit over two weeks I’ve been to Poland, Slovakia, Hungary, Slovenia, Austria and Italy. That’s a lot of places in such a short period of time, too many for my liking usually, but this situation was the result of Tanya’s visa limitation and my curiosity outweighing the desire to concentrate on any long-term photographic work.

Just a couple of months ago, the names of the countries and cities I visited were nothing more than that - names. I guess now I have at least some associations with these names and though I don’t pretend to have gained any understanding of the places I’ve been to, I have had a glimpse into a different world, which for me only existed in pictures and guidebooks before.

I feel like I have grown a little photographically too. I understand myself a little better, I understand more what drives and inspires me and what doesn’t so much. For any creative person that’s an important thing. Essentially if we understand that, we know how to push our own buttons, to get those creative juices flowing, rather than wait for some higher power to enlighten us.

And so here’s a quick look at a few of the photos from the last few days.

Budapest-Baths-top-viewThe famous Szechenyi thermal baths in Budapest. The image at the top of the post is from there too, it’s kinda weird that there are people playing chess in a pool, but hey, it makes for a good photo subject. These baths are a place I wouldn’t have normally thought to bring my camera to, I wanted to enjoy them myself, but after seeing some of Ami Vitale’s images (she’s one of my fav photogs), I couldn’t resist. So I had my fun in the water and in the spas first and then went out to shoot a few frames.

baths-massage People enjoying a massage from the strong stream of very warm water. Periodically the whole pool area is enveloped under the steam. I love shooting in these situations, I just wish I had a waterproof camera case to do some stuff from different perspectives.

Zakopane-viewFrom warm thermal baths to the cold snowy mountains of Zakopane, Poland. I’ve wanted to be at the top of snow-peak mountains for some time, but never got the chance, until now. I did it the easy way too, by cable car. :)

ski-chairsSki chairs against a mountainous backdrop. I find ski chairs to be pretty photogenic for some reason.

trees-from-aboveThe view from above was almost surreal. Part of the forest was illuminated by the sun while the other was in the shadow. It’s times like these that make me feel like there is more to photography than shooting people.

That’s all for today. My next post will probably be from Belarus. I hope it snows there and I hope my car makes it. :)

Postcard from Slovenia and the trials and tribulations of life on the road.

Bled

I’ve been on the road in Eastern Europe for about a month and a half now and I’m kinda tired. Perhaps it’s the road, perhaps it’s the fact that there has been relatively little photography or maybe it’s the bad weather, which has contributed to the lack of photography.

Perhaps it’s the stupid decisions I’ve made before leaving – like taking a 25 year old car on a 5000 + km journey. In Asia transport trouble often led me to make new friends and gave me a glimpse into their worlds. Believe it or not, leaving yourself vulnerable in a difficult situation can really show you what a certain culture/people is like and that can make any transport trouble pretty bearable. In the places I’ve traveled in Asia there’s always a positive aspect that emerged, sometimes something as profound as the affirmation of the great potential of human kindness. When a stern looking desert man who speaks no word of English sees you’re in trouble, goes 10 km one way and back to bring some tools to fix your motorbike and then, after all that invites you for tea and chapattis with his family, insisting that you come back for lunch, well that makes any human being with emotions almost teary eyed.

My experiences in Eastern Europe (not including Belarus) have been pretty far from anything like that. They’ve mostly been all about paying, and paying lots. The mechanic doesn’t invite you for lunch either, and doesn’t introduce you to his  family, which is obviously totally understandable, but it sure puts things into perspective. Why do people in India and Indonesia do that? Are they so much more hospitable and open to human interaction than Europeans? I guess in general, the answer is “yes” and I guess that’s why I love being there so much.

The sole exception of a sort happened in Maramures, Romania. My car’s exhaust pipe fell apart after I hit a pot-hole, there was no equipped garage nearby and the only mechanic was one with a very simple set-up. We couldn’t drive too far with the exhaust dragging on the ground and so we had to act on the spot. The mechanic had enough sympathy to understand that and came up with a solution. It was decided that everyone who was there – me, two guys I traveled with, the mechanic and his friend were gonna push the car on its’ side, so the exhaust pipe could be welded together. The four of us were slightly short of muscle power and a passing-by neighbor was asked to help. Without any hesitation he did.

me-and-car

We managed to sort everything out and I was back on the road, thanks to the resourcefulness of these villagers from Maramures. That was about as close as I’ve come to an Indian experience in Europe.

Why does any of this matter? It doesn’t really, if I don’t think about it, but as mentioned, I feel these situations help me put things into perspective, to appreciate the countless amazing moments that have filled my life while I’ve been traveling. They help me gain some sort of an understanding of this crazy world we live in and that in turn can’t be all that bad for my photography.

I don’t advise anyone to do what I’ve been doing – driving in a 25 year old car, I mean. But when I think about it, I got myself the best thing I could can afford at the time, the other option would be not to go at all. I’ve been my own guinea-pig, seeing how far I can go and what adventures and experiences will come my way. I did all the main things I wanted and I can’t complain about that.

Perhaps I’ve been spoilt by the kindness of the amazing strangers who have come my way in the past. Typing this in an overpriced hotel room and paying for a crappy internet connection somewhere on the Slovenian border in Italy, I’m thinking that perhaps it’s time to get back to “reality”.

Tomorrow I will see if my car is fixable. It was a little unnerving to see smoke come out from under the bonnet, you don’t need to be a mechanic to know that’s not the best sign.

My little adventure is almost over, I originally planned to return to Belarus around the middle of December, I still hope that I can drive back and not have to fly there. :)

The top image is from Bled, Slovenia – an unbelievably beautiful place. I was lucky enough to have a sunny day when I arrived, it was all rain and fog later. The next image is me with my car flipped on the side, while the exhaust pipe was getting welded.

Romanian adventure comes to an end.

Farmer And so, my very short adventure in Romania has come to an end. It was not anywhere near long enough to even scratch the surface here photographically, but I did get a glimpse into a couple of regions in this fascinating country. The last stop was Maramures, a region which I heard hadn’t changed much over the past couple of centuries.  Perhaps it was silly to believe this, but for some reason I did or perhaps just hoped that it would be true.

In reality Maramures was both – as amazing as I thought it might be and at the same time more visually abhorring than I could have imagined. It seems that in Eastern Europe things change even faster than in Asia and just as is the case with Asia, progress here is not a thing of beauty.

For whatever reason those who have been denied prosperity for so long seem to have a very crass way of showing that prosperity once they obtain it, with disregard for anything that existed before them. Traditional villages of wooden houses which seem to have been built in harmony with the landscape with consideration for the surroundings are very  few and far between in most of Maramures these days. They are being knocked down, replaced with huge (and I mean huge) brick and cement structures, which have about as much character as you might expect a concrete slab to have.

This “modernization” thing is a story I’ve seen throughout my travels around different countries. I don’t know how it ends, but I do feel that it’s very worthwhile for a photographer to capture what hasn’t been swallowed up by the so called progress. Luckily in Maramures a little bit of magic still remains. While many of the people are living in the soulless structures, they themselves haven’t lost their souls, nor what makes them visually unique to other Europeans. Perhaps most pleasantly, a lot of them are just as kind and as hospitable as their parents must have taught them to be.

I was reminded a little of India, when the locals almost forced their hospitality upon us, only in India the hospitality takes on the form of tea and food, while in Maramures you have to drink their toxic home-made “Tsuika”, a 50 + degree alcoholic beverage, strong enough to burn a whole in your stomach. After drinking five or six shots of it in the first day I decided that in reply to future offers it would be better for  me to drink a tiny bit of it, make a face and say that it is too strong for people from my country, which is not far from the truth.

I would have liked my trip to Maramures to have felt like a trip into a different world, into the past. It wasn’t quite like that, but as I drove my car through the mountains to the Hungarian border, passing old cattle herders in traditional hats, women collecting hay in their unique attires, all while being surrounded by some of the more dramatic scenery one is likely to encounter, I realized – Maramures is still special. It’s not what I wanted it to be, but that doesn’t make it any less special in relation to the rest of the world.

Here are some images of what still remains of the magical Maramures.

sheep-in-the-morning Sheep on their way to be herded up in the hills.

terga-lapus-regionThat’s the view the shepherd has when he herds the village’s sheep.

funnymanWe met this man during a foggy afternoon in a small house, seemingly in the middle of nowhere. I asked if we could take a few photos of him outside. He agreed. As I fired off a few frames, he kept asking - “Am I really that f---ing cool? Is that why you’re photographing me? I mean there are so many other people, but you chose me! I must be something special!

fog-dogThe man had quite a few “tsuikas” and just before he left he decided to chase the dog around. The dog was surprised.

Rural-boy At the same place we found this great, young character. I loved his attire – a child’s sweater with an image of a sheep and a grown man’s suit and trousers.

pigfeedingA village woman after feeding her piglets. The villagers of Maramures are very proud of their animals and gladly show them to anyone half-interested.

oldmanVlad, one of my traveling companions and I met this elder at the front of his traditional house. We asked if we could come inside and see what it’s like. He let us in and posed for a few photographs. He’s 88 years old and all alone, so I think he was happy to chat to us for a while.

magical-morningMagical morning in the hills. It’s foggy almost every day during this time of year. When it’s not cloudy, the scenery can be rather special.

cattlemarket Morning at the cattle market.

pumpkinsVillage woman chopping up pumpkins.

I feel a world away from Romania as I type this entry from my room in Krakow, Poland. It’s been a frustrating couple of days since I left Romania, as I had a lot of my things stolen from my car during my overnight stay in Bratislava, Slovakia. Luckily most of the photography related stuff was with me in the hostel room, but I did have to search all of Krakow for a new battery charger for my Canon 5D MKII.

Tomorrow I hit the road again. After being re-united with my dear wife we have decided to drive to Slovenia. If my car makes it, that’s where I’ll be for the next few days.

That’s all for now.

Holbav – a trip into the past

holbavI finally got a chance to shoot what I wanted, the way I wanted in a small Transylvanian village called Holbav. That’s where the photo of me in the oxen cart was taken (last post).

Though Holbav is only about 20km away from Brasov (the region’s largest city) it is a world away in terms of everything else.  Not much would have changed here over the last 100 years or so. Incredibly, there is still no electricity, no running water and none of the other comforts taken for granted in the “modern” Europe. In other words in many ways the village is representative of what a lot of Romania must have been like a long while ago. This is exactly what I wanted to photograph.

My time in Holbav, though very short, was intense. There are times when I want to limit what I know about a place. I think not knowing helps me to be open to only the positive aspects and to concentrate purely on my photography. Unfortunately that wasn’t the case here.

It’s a long story not worth getting into on the blog, but the bottom line is, I found out too much. That the place is not perfect, that life there is hard and the hardships sometimes have a negative impact on people, naturally. Though my experience was 99% great, being aware of the brute, savage and cruel qualities that occasionally come out of the local population was not something I wanted.

In any case, here are some images from this fascinating village.

hay-collectingDominicu collecting hay, which had been drying for a couple of weeks prior.

tony-workin Tony packing hay for winter storage.

oxen Ioan and his oxen. Apparently they are pretty old. Ioan used voice commands and beat the crap out of them to get the desired results. It was often a pitiful scene, which is better communicated through video, which I also made, but cannot share until I reach a fast internet connection.

old-man I don’t remember this old gentleman’s name, though I met him twice. He was a lovely fellow, but sure looked like he was drinking a lot, the second time I saw him.

kerosene-lampNo electricity means that kerosene lamps. replace light-bulbs. Here Ioan hangs the lamp on one of the few hooks that exist around his house.

Next stop – Maramures – supposedly it’s a photographer’s paradise in many ways. We’ll see. :)

Incredible Romania!

me-in-cart First: The eBook sale is over. Thanks to everyone who purchased them, the response was a very pleasant surprise. To those who missed out - I may have another special some time down the line, so check the blog for details.

I’ve been in Romania for about a week. A lot of strong first impressions, but the recurring themes are awe and frustration.

I can’t think of many other places with such photogenic faces and landscapes, that’s the good part.  The frustrating part is that I really haven’t done any meaningful photography since I’ve been here. Language and shitty weather have been my biggest obstacles. While I was in Sibiu, one of Romania’s prettiest towns, the cloudy skies and flat light sucked out almost all of the town’s beauty. The clouds also hid the snow peaks of the mountains, I didn’t even know they existed, until the skies cleared a little on my way to Brasov, another picturesque Romanian town.

Finally my inability to speak Romanian has made it next to impossible to communicate in villages, the places where my ideal subjects live, where I want to do most of my shooting.

So far the trip has been much more about getting a feel for the country than anything else. I’m trying to see whether this is a place I’d like to return to, to dig deep and attempt to capture imagery, which I am sure one cannot find in too many other places on the planet. So far I haven’t seen enough, but I have been teased by getting a glimpse of potentially amazing scenarios and looking at the work of a couple of Romanian photographers.

One is Vlad Dumitrescu, a talented young photographer friend I met on OneX and later in person.  I’m actually typing this entry from his apartment. You can see his images HERE. The other is someone Vlad introduced me to – Sorin Onisor. I think he has become one of my new favorite photographers and his images have brought me to the verge of madness, thinking about the amazing photo opportunities that exist here. You can see Sorin’s work HERE. Doesn’t seem like the English version works, but the pictures are what matters, so do yourselves a favor and look at Romania through the eyes of someone who really understands this country.

I had some car trouble recently, but after forking out one fourth of the car’s cost to replace the clutch I am set to go spend some time in a small countryside village, one of very few non-commercialized villages here in Transylvania. It’ll be interesting to see what happens, hopefully  I can come up with something interesting and put up something more than the image you see of me at the top of the cart (taken by Vlad).

Ok folks, back soon.

On David duChemin and his eBooks

Drawingtheeye I feel that David duChemin is one of the best photography writers out there today. Perhaps some may think we’re conspiring by praising each other on our blogs every now and then, but what can I say – I respect the man as a photographer and I absolutely love the way he writes. Is that so wrong? :)

One of the things I love most about David’s writing is that while he talks about the philosophy and theory behind photography, he always keeps things very practical. After reading David's stuff you can go out and apply the knowledge to actual, real life situations.

When I first saw the title of David's latest eBook “DRAWING THE EYE – Creating Stronger Images Through Visual Mass” I thought, “Geez that sounds a bit heavy and abstract” but I was pleasantly surprised. Well, perhaps not surprised, because I have come to expect at least a certain amount of brilliance from the man and the last eBook is certainly no exception.

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I won’t go into a detailed explanation of what the eBook is all about, I’ll simply direct you to David’s BLOG, where you can read David's own description as well as what other people are saying. I will mention this though; if you’re ready to step it up a notch and to really begin creating images with impact and some thought behind them, rather than simple snap-shots of exotic places and faces then “DRAWING THE EYE” is a must. As David says: “It’ll change the way you look at your craft”. Agreed. Even if like me you already look at your craft much the same way David does I always find that David’s eloquent and humorous writing really hammers home whatever thoughts I had in the back of my mind. He’s able to express his ideas so well and so clearly, the final message, along with the images just inspires you to push yourself a little further each time you lift the camera to your eye. For that I gotta thank the man. :)

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Before I go, I absolutely have to mention David’s earlier eBooks “Ten” and “Ten More” . Again, read about them by clicking on the hyperlink titles. These two eBooks are particularly useful for those in the early stages of their journey into photography, but as is the case with all of what David writes about, anyone can get a surprising bit of inspiration and food for thought from his words. The best part about it all, these eBooks are knowledge that is accessible to almost anyone around the world. At $5 a pop, the price is something that you simply can’t complain about.

You can get all of David’s eBooks RIGHT HERE.

Now a brief word about me. I’m back in Minsk, getting over an annoying cold and finishing some of Tanya’s paperwork to go to Europe. I’ll make one more trip to the region of Braslav for a week or so, finish off some logistics in Belarus and if all goes right, in early November I’ll drive towards Romania, a country, which I have been curious about for too long not to visit it.

The fishermen brigade of Braslav (and some miscellanea)

fishermen2 A couple of days ago I finally managed to hang out with the fishermen brigade of Braslav. What a bunch of characters! My initial impression was that they were rude, mindless brutes. I’ve met people jut like them in India and Indonesia, but never felt the same, perhaps the fact that I could understand everything these guys said formed my opinion.  Every second word was a curse word, every joke was explicit and I think at least a couple of them may have had a good drink during the  work day.

It would be easy for me to look down on them or to get frustrated with their attempts to poke fun at me at every opportunity, this happened even more after they found out I was from Australia. “You have ostriches there right? Instead of fishing do you go crocodile hunting, right?” When I tripped, while moving around in my boots (which are a few sizes too big), one fisherman who found it particularly delightful to laugh at my expense said - “F-ck, watch your step, this isn’t f-cking Australia where the ground is all even and nice!” I found his comment funny and almost beautifully ignorant. I smiled and laughed. I guess that’s something I’ve learned to do regardless of circumstances, over time. As a photographer you almost can’t afford to have an ego, to get angry or to lose your temper, at least not while you are working and especially not while you are photographing people. You have to get a feel for those you are “working” with and while that’s happening, it’s better to shut up, smile and keep shooting.

When I got that feel for the fellows in the boats I realized that despite their brute nature, they were quite decent folks – simple people who work hard and get paid very little. They make the most of the situation and poke fun at each other almost as much as they poked fun at me. Me being with them was a somewhat fun departure from their regular schedule and so they couldn’t resist directing all their “enthusiasm” in my direction.

I guess I passed some sort of test by not negatively reacting to their jokes and just smiling and laughing all the way. They did do some funnily stupid things, one of the older men almost turned over a boat and nearly filled his boots with icy cold water in a desperate attempt to get to shore for a smoke. About half way through the whole fish catching process they stopped poking fun, I got more comfortable and started jumping from one boat to another and lying down on the wet nets, to get a better angle. The jokes turned to amusement and then, dare I say to something close to respect, they realized that I was working pretty hard, just as they were.

The images I got were not as “pretty” as I’d like them to be, the light became flat half way through and stayed that way for almost the entire shoot. They do however give you a bit of an idea of what the process was like. In any case, I’m hoping to get another stab at shooting this thing before I leave Braslav and head towards Romania.

By the way, if any of the blog readers live in or around Warsaw or Krakow, Poland, somewhere on the way to Romania in Hungary or in Slovakia,  then I’d love to meet you for tea/coffee and chat. Just email me from my website or post a comment.

Another thing, one of my images should be on display at the PDN PhotoPlus Expo (Nat Geo Traveler World in Focus Contest) in New York October 22-24. Apparently I won something, but I have not been informed exactly what, maybe it’s just the chance to be exhibited. In any case, it’s quite exciting. :) If anyone from NY will go to this thing, perhaps you can tell me if I actually won a prize and whether my image looks decent in print.

fishermen3Sasha (middle) is the leader of the brigade, he does a lot of moving around and probably more cursing than anyone else, I guess that’s part of the job.

fishermen6 Sasha collecting fish from the nets. The young folks in green coats are picking out the fish which is smaller than 27cm (approx) putting them in the wooden box and tossing them back out into the lake. Such is the law.

fish7 This one’s pretty self-explanatory.

fishermen5 When all is said and done, the fish are placed into wooden boxes, loaded into cars and sent off to the fish factory.

That’s all for now folks. More to come soon.

Braslavschina - The most amazing place you’ve never heard of

Lake I have just returned from Braslavschina – the region around the town of Braslav and as I mentioned in my last post, all of my expectations have been surpassed. There are plenty of old, traditional villages, wonderful, photogenic people and there are over 400 lakes – almost all of them ridiculously picturesque.

Perhaps it’s some sub-conscious thing about this region being a part of my “motherland”, but Braslavschina has quickly become one of my favorite places in the world. All I need to be happy is – something to photograph, some place to swim and some nice people to chat to. :) I can find all of that here, plus the kind of nature, which I only thought existed in fairy tales.

Ok, so I’ve fallen in love with this place, I really mean it. I’ve even enquired about prices of land and simple houses here and I have  found out that they are ridiculously cheap, at least by Western standards. If I find something suitable, I’ll soon have my own tiny piece of paradise, perhaps even one right on a lake.

Anyway, enough dreaming. Here’s a brief look at what I’ve seen so far. I’m in Minsk for a few days to sort out some paperwork on my newly bought ‘84 Volskwagen Golf II. It ain’t pretty, but it’s cheap, it’ll take me where I want and it’s mine. I’ll be coming back to Braslavschina as soon as I can. I’ve only scratched the surface, as far as photography goes.

Cow-herders-fieldTolik and Vatsik – two cow herders taking a break. It seems like I’ve got this strange attraction to cattle herders and fishermen, wherever I go. More on fishermen in the near future.

HerderTolik herding cows with a whip.

Grandma-at-tableAbove and below are images of kind elderly ladies from two different villages with the same story. In the really traditional villages there isn’t much youth these days and the old are the living, walking, breathing embodiment of the incredible history of this area.Babulya- -Cat

Church A prayer inside a church of the “Old Russian Orthodox” faith. It’s very similar to the “standard” Russian Orthodox religion, but all the prayer’s are written in ancient Russian and read accordingly. Only two people in this village can read them – this “Father” is one of them. The “Old Russian Orthodox” faith is almost extinct in Belarus. The three ladies in the background are basically the only attendees.

Batyushka-Port Father Akim (a very unusual name for Belarus) on his way out of the church.

milkmanEvery morning this man waits by the side of the road to sell is milk to large government-run co-operatives. Here he is returning home after selling the milk.

DedulyaGrandpa Alexei was very shy about being photographed. When it comes to photos initial shyness is a common reaction amongst most of the older people. They’ll usually say something along these lines – “Why would you want to photograph me? I’m not shaven” or “I haven’t even got my teeth”. To me however these faces are amazing, they say so much without the need for words. After a short chat and me explaining what I do everyone usually agrees to have their picture taken.

chainsaw-cutterThe modern way of preparing firewood – with a chainsaw.  The man – Vasily is one the few younger men choosing to live his life in the countryside. He does however work outside of his village, on construction sites in cities as large and as far as Moscow.

PastuxiBack to the cow herders – Tolik and Vatsik having their dinner by the fire. I won’t mention what they were drinking.

VovaVova is another rare find, he is the only young man in his village. The rest have moved out and now live and work in Belarus’ larger cities.  Photographically speaking this is the sort of portrait I am enjoying shooting more and more these days - a shot where the person is surrounded by objects that tell you something about his her life/culture.

Ok, that’s all for now. Needless to say, I can’t wait to go back and shoot some more stuff. I have also filmed some interviews and some scenes that are best communicated through “moving pictures”, but unfortunately my ancient laptop isn’t powerful enough to edit HD video. Well, I guess that’ll all have to wait.

Into the Light: Amateur Photographer Magazine

APmag This month there is a 6 page feature on my work in the “Amateur Photographer” - possibly the longest running photographic publication in the world. The article is called “Into the light” (as you can see above), fitting, considering the recent release of my eBook.

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I’m excited about this one. The interviewer was great and really tried to get to the essence of what I do from a practical perspective. As a result the feature is a “to-the-point” look at my photography and at how I shoot. I hope they send me a copy, it’s still kinda exciting to see my work in print. The magazine (weekly publication) is available in the UK and Australia, and perhaps in other  English speaking countries.

My website was finally included and there’s even a very quick plug for my eBooks. If you’re a reader of my blog you’ll know that I’ve had a few frustrating experiences with people forgetting to include my website into the magazines, so I’m real glad about everything working out just as I had hoped.

Speaking of the eBooks, I want to thank everyone who bought them over the past couple of weeks and a special thanks to everyone who spread the word about them. The response was even better than the first time. The income will give me the freedom to move around and shoot the subjects that interest me, and that’s all a photographer can ask for.

Right now my wife and I are at her sister’s apartment in Northern Belarus. We’ve stopped here on the way to Braslav – an area which is supposed to have some fascinating traditional (relatively) villages. I’m really glad to get away from Minsk! It takes only a couple of weeks of being in the city to remember why it felt depressing, even when I was a 10-year-old. The overwhelming, oppressing communist architecture and city planning might be fascinating over a short visit, but not if you have to live amongst all that crap. It feels like everything was planned to make the individual feel insignificant. You walk for hundreds of meters from one shop to the next, the streets are wide enough to fit a football field, but at the same time, the apartments in which people live are tiny and stacked on top of each other over 9 stories and more. In short I have no love for Minsk.

On the way to Novopolotsk (where Tanya’s sister lives) I saw the romantic, beautiful side of Belarus – green meadows, stacks of hay, forests and villages. This is what I came here for and this is what I finally have a chance to shoot.

Well, that’s all for now. Tomorrow I’m off to Braslav, I pray to the “photography Gods” to give me what I seek.

"Color" Magazine Excellence Award Winner

awardwinner Some of my images (8 over six pages) from Rajasthan should appear in this month’s issue of “Color” - a magazine from the same people who publish “B&W ”. I won some sort of excellence award (along with 15 other people) and while I don’t know what  this actually means, I thought I’d share the news nevertheless.

The publication seems like a really good idea, but geez, their website really needs to get with the times! “B&W” can occasionally be pretty darn good, so if this is anything like it, then please buy the issue and tell me what you think. I believe it’s available in the US, don’t know where else.

A featured article with my photos and an interview should also appear in the September 19th issue of “Amateur Photographer” – one of the longest running photographic publications in the world. By the sound of it, they’ll even include my website details! That will be a first in a long time. “Amateur Photographer” is available in the UK and Australia, that I know for sure, perhaps it’s also available in the US.

Back in Belarus

tusovkiI’ve been in Belarus for almost a couple of weeks now. Most of the time has been spent catching up with family and friends, not doing much photography, but I am making some “grand plans”, so to say. It’s fascinating to be back here. So much changes over the years; especially if I think back to the time when my family left Belarus, shortly after the break-up of the USSR. These days the center of Minsk, the capital of Belarus is not so different from centers of cities in the “Western” world. There are restaurants with foreign foods, expensive cars on the roads and all sorts of “super” and “hyper” markets, where unlike in the past the check-out-ladies say “Thank you for your purchase”. There’s even a futuristic looking railway station, albeit futuristic only on the outside.

But, in many ways Minsk is a time-capsule. Step away from the center into what’s called the “micro-suburbs” – neighborhoods with blocks of high-rise apartment buildings, where most of the population lives, and you’ll see the Minsk of 20 years ago.

In the the streets of the “micro-suburbs”, children still play the same games that they played when I was a kid, old grannies still seat on benches and gossip about their neighbors, groups of youth still hang out the front of the “pod’yezd” (entrances to the high-rise apartment buildings) and there are occasional drunks stumbling around the streets and pissing in elevators. Oh, the memories.

In all honesty though, there is a great vibe here during summer time and I’m glad to catch at least the end of it. I’m writing this entry from my grandmother’s house, about 30km outside of Minsk. She’s a fascinating and wacky character and I’m making a little film about her with the new 5D MKII.

Oh, almost forgot to mention. I’m now connected to a mobile internet, courtesy of my new, awesome cousin-in-law. So, I will try not to disappear for too long, as long as there’s coverage, I should be able to get online.

The light eBook is also coming very soon, but meanwhile check out the wonderful David duChemin’s eBook on 10 ways to improve your craft.

Above is an image of modern youth, hanging out by the leftover relics of communism.

Chiaroscuro – Sculpting with light

Reang-Woman Since I’ve been pretty much consumed by all things light related recently, writing texts for my new e-book, I decided to write a post in the spirit of, you guessed it - light. When I’m shooting, particularly when shooting portraits I have an obsession with creating a sense of volume and depth, making my photographic subjects appear sculpted, three dimensional. Turns out there has been a word for this “look”, since long before photography. The word is - “chiaroscuro”.

Now, call me an idiot, or a bad student, since I’m sure we learned this in my art history class at university, but when I heard the word from a traveling artist I befriended in Indonesia, I didn’t really know what he was on about.

Of course I put on a smart, understanding face, the first time I heard it, :) but after he used the word a second time, remarking how much he loved the presence of “chiaroscuro” in my work, (which I was showing him) I could pretend no longer :) - “chiaro-what?”  He gave me a definition along the lines of what I later found later on Wikipedia:

Chiaroscuro (Italian for light-dark) is a term in art for a contrast between light and dark. The term is usually applied to bold contrasts affecting a whole composition, but is also more technically used by artists and art historians for the use of effects representing contrasts of light, not necessarily strong, to achieve a sense of volume in modeling three-dimensional objects such as the human body.”

Today, as I was looking at some of my images, trying to explain the natural light in them and to break down into diagrams how it can be managed, I remembered the word and decided to Google it.

Caravaggio and Rembrant are two famous artists known for their mastery of “chiaroscuro”. I’m not making a revelation when I say that they’re masters for a reason. One thing is for a photographer to see the light and to position the subject in a way that will create the “chiaroscuro” look and another is to actually paint it. Every little detail is noticed and needless to say, the work of these artists is inspirational, even a few hundred years after its creation.

One important thing to note is that the masters were able to create compelling images without any of the amazing technology we have today (lighting or photographic). Many still do this there’s something to be said there. We don’t need fancy light set ups, artists have sculpted with light for hundreds of years. The first step for us as photographers is to see the light that is before us and understand how to work with it. There’s no sense in rejecting the creative opportunities that artificial light brings – that would be “counter evolutionary”, but there’s also no reason to ignore the power of natural light.

My stance is all for making the most of available light, in the literal sense of the word – any and all light available to the photographer on the move, that’s what I really want to explore in the e-book.

On a side note: I wander if any of the painters rave on about their gear or debate about which paint or brush is better, as photographers often do?

A blast from the past.

happy group Well, again it’s been much too long since my last post. I’ve been busy – yes. But I did have a few ideas that I wanted to share here. Unfortunately my ideas for posts often take very long to cook up and when they do, they sometimes start morphing into something completely different.

I have many things on my plate at the moment. There are several things I’m working on  at once - one of them is another e-book. This one is going to be on lighting for travel photographers and those on the move. It’ll cover the use of off camera flash, reflector and of course natural light. The e-book will be similar format to “Understanding Post Processing” in that I will break down how certain images of mine were created. But there will be more examples, diagrams/illustrations of light set ups and lots of explanations. I’m pretty excited about it, but more on that in the coming days (or weeks).

The post from the beginning of the month “Some words to aspiring travel photographers” seems to have struck a chord with many and as I was sorting through some images from Indonesia, I came across photos from that ferry I mentioned. The one packed with goats, chickens, furniture, dry fish and lovely fellow passengers who chain-smoke and continuously spit on the floor.

And so, rather than bore you with a half-thought-out blog post, I leave you with images taken on the morning of our 16 hour, overnight ferry ride from an island called Lembata to one called Alor. The photo at the top of the page is obviously of the fellow passengers who didn’t impress me much with their smoking and spitting. I guess the image doesn’t do them “justice”.

anxious passengers on bags of dry fish

transporting an armchair

transporting couches

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Some words to aspiring travel photographers

in-the-carriage It may be borderline pretentious of me to be offering words to “aspiring” travel photographers, since until pretty recently I was only “aspiring” to do this thing myself. The reason for the post is a question, which I have received numerous times over the past couple of weeks, in various forms:

How does one become a travel photographer and go on to make enough money in this profession?

At first the question makes me laugh. Who the hell am I to be giving people advice on anything career-related? I’ve never had much of a plan and I always considered that a lot of my success was a result of pure luck. Regardless of whether I’ve changed from an “aspiring travel photographer” to whatever else, I have realized that I am now doing something that many dream of -  I travel, take photos and mange to “survive” off the income generated by these photos. On second look I think that there may be reason to my “madness” and perhaps my own story can be useful to other young people starting out. Here it goes. :)

To “become a travel photographer” I worked all sorts of shitty jobs, occasionally committed intellectual and creative suicide by shooting what I consider trash, I used every opportunity in sight to get on the road. There’s an interesting concept I heard somewhere on the net (probably Brooks Jensen’s podcast) - you need to dedicate 10,000 hours to something in order to become proficient at it. Sounds like a fair assumption. That’s basically what I did without realizing. I never quite thought of it as a 10,000 hour thing, but I did know that to be decent at shooting particular themes I needed to shoot them for an extended period of time and so I totally immersed myself in doing just that, while I went off on trips that ranged from six weeks to seven months.

After my third India/Nepal trip (the seven month one) I felt that I really had an idea of what I was doing and incidentally that’s when other things started to click. I began to get published in magazines, had an exhibition and made print sales (more though magazines then from the exhibition). As much as everyone today says that print media is on its last legs, I’ll say that it’s pretty important to get your work published. There’s just a certain type of validity that comes with having your work in print. It means that someone at least thought enough of it to spend their money on the required paper and ink.

With the publications, I saw that my work had some value and I asked myself this question: How can I generate a more regular income from my photos? I looked at image/stock agencies. Got a contract with Lonely Planet Images (on my second attempt), but terminated it before long – this isn’t the place to go into the details, Lonely Planet make great guidebooks… and let’s leave it at that. :)

I still wanted to have my photos represented by an agency, those who are seriously working with the big name agencies know how important they can be and so, I went on a search. A bit of luck, weeks of waiting, empty phone calls and emails, weeks more of being bounced around and I finally managed to get in with Getty Images – everyone’s “favorite” stock selling (not so gentle) giant. :)

This brings me to How do you make enough money? part of the question. Well, it all depends on what you want enough for. A comfy life in inner-city Sydney? There’s a very slim chance that your travel photography will generate enough income for that in the first years. But having your images make you enough to travel and live around the cheaper parts of the world? Very possible, that’s what I do. :)

After a couple of years of very intense photographing and relatively recent, almost equally intense attempts at finding ways to make money from it, I have to say that I’m still very very far from striking it rich. Every month Getty sells some of my work and probably makes me enough to get by in most of Asia. I am still submitting to magazines and looking for alternative incomes from my photos, I’m even still willing to sell my soul, to shoot what I don’t love every now and then. However, importantly I no longer have to do what I don’t like, my images are finally “working” for me. Even more importantly I don’t have to work in retail, restaurants or wherever else just to save enough for the next journey.

But still, in all honesty, the way that me and Tanya (my wife) live is not for everyone. Certain comforts must be forgotten, while you’re on the road with a limited income, you simply can’t afford them.

Of course much of the beautiful, amazing things associated with travel are completely free, but if you ever compare your experiences with those of a friend, who may have traveled the same route as you during his four-week annual holiday, you realize that the pleasure you get out of traveling is very different to his. Your pleasure has a perverted twist. While he enjoys sipping cocktails on a luxury boat-cruise, you jump on a ferry packed with goats, chickens, furniture and dry fish, with lovely fellow passengers who chain-smoke and continuously spit on the floor. The journey exhausts and frustrates,  and  by the end you reek of that damn dry fish and your own sweat. But you’ve made new friends, learned words in a foreign language and have one heck of a story to tell when you get home. The pleasure comes from the experience and from the fact that you survived it. Your friend didn’t “suffer” on the luxury boat, but nor did he experience the ‘realness’ of actually being in another country, among regular people from a different culture.

If your cup of tea is the ferry ride and you’re really into your photography, then perhaps things don’t need to be very complicated.

I’ll borrow words from Chase Jarvis. He’s not a travel photographer, but unlike me, he really knows what he’s talking about. :)

There are two things you need to succeed: to be undeniably awesome at what you do, and to persevere.

Applies to everything, even travel photography.

(The confused character with ski-goggles above is none other than me. :) I used to wear the ski-goggles when riding the motorcycle. In this image I’m riding in the back of a bullock cart during an early morning in Rajasthan’s, Bundi District. Didn’t get a good picture, but the ride was kinda interesting.

Bangalore, Pune, Mumbai and Good Bye India.

curious-in-mumbaiBangalore - we didn’t originally plan to stop in this city, but it was the nearest place from where we could get a train to Pune, our final stop before we’d fly from Mumbai. I didn’t want to ride any more either, but all trains to Bangalore were full and you can’t put a motorcycle on a bus.

I planned to ride the 480km from Madurai to Bangalore over two days, but somehow Tanya and I summoned up enough energy and finishing the ride in one day seemed possible.

480km is the longest distance that I have ever ridden in one day on a motorcycle, anywhere. If I were riding in Australia, this distance would not seem that far, really. But this is India and here distance is not only measured by milestones along the road. It is measured by how many cows, chickens, goats, children and women with firewood on their heads you almost hit (because they almost jumped under your wheels) as well as how many buses and trucks almost hit you (because they are bigger and don’t care). It’s a long distance, almost unbearably long. Your butt feels like it’s burning on the motorcycle seat all the way, but you finally pass the pain barrier after 400km, you stop feeling or caring.

Bangalore – the “I.T. City”, “The future of India”. You could have fooled me by the last 20km of road that leads there. Countless potholes, puddles of black water, construction, everywhere and that horrible, dark smoke, the whole thing felt like traveling through a post-apocalyptical landscape, and then you reach the city itself. I’m sure that Bangalore is as amazing as people make it out to be, but whatever it has to offer, it can offer to someone else. I had no time to discover its charm under the black cloud of traffic smoke; I was to finish my “business” and to head off.

At the railway station we sent what was left of the motorcycle back to my Gujarati friend Hardik, who is now in Ahmedabad (Gujarat’s commercial capital). Then it was our turn to go. We’ve become soft when it comes to public transport. We avoid buses because of the loud music and no leg-room; we avoid the sleeper class on the train because of the countless beggars and hawkers that pass through every other minute and we even avoid the “Three-tier AC”, because it still feels somewhat crowded. So we got two “Two-Tier AC” tickets for our 24-hour train ride to Pune. “Two Tier AC” means that you have a compartment with four beds in it and two beds along the corridor, what it does not mean is that you will get the peace and quite that you long for on a tiring journey. I had to force myself to sleep to the sound of continuous burping, farting and snoring of fellow passengers. At 11:30 pm a young boy with a loud, squeaky voice decided it was a good time to have a conversation with his father about Superman. Oh, the joys of travel on the Indian Railways!

Pune – just a one night stop here, a quick catch up with a friend - Rahul, a young man who had recently spent a year in Germany, a year which radically changed the way he now looked at his own city, his country for that matter. The first time I met him I told him that I thought Pune was very modern and developed. “Modern, developed?! No, this place is not like that! You see a high-rise glass building and then you walk inside and you see the people there, spitting on the shiny floors, throwing their shit around. That is modern? Developed?” With his unusually cynical views and his stories about Pune’s Koregaon Park and the infamous “Osho International Meditation Center” Rahul certainly kept me amused and entertained. I hope I meet him again one day.

Mumbai – the city of dreams for millions. I never liked this place very much, but make no mistake about it, it is absolutely, incredibly fascinating.

One more friend to catch up with in Mumbai – Santosh, an independent filmmaker who works as a sound engineer in various Bollywood drama-series out of necessity.  Santosh is one of the most intelligent fellows I have come across on my Indian journeys. Whenever I meet him he tells me countless stories about various places we come past in Mumbai. These stories have probably played a part in forming my view of the city – yes there is crime and there are slums, but there is so much more that you will simply pass by if you are visiting by yourself. So many cultures and sub-cultures and everyone has a story, a fascinating story.

As we walked to a restaurant in Colaba, a place where I usually eat, we passed through the parts of the city where the horrors took place in December. It’s eerie when you hear what happened and picture things, but now, just a couple of months later life goes on as before. Sure there are a few policemen with machine guns, but you couldn’t even imagine what took place in the very same streets, where today people are laughing, drinking and celebrating life. That’s how India is. It doesn’t stop for anyone, nor does it compromise or change because you want it to. It is every bit “The Incredible India” of the romanticized advertisements and it is every bit as dark and hopeless as its worst slums, its deranged beggars and its corrupt politicians.

This trip has exhausted us more than any of our previous visits to the country. I don’t know why exactly. Perhaps it’s the distance we’ve covered by motorcycle or perhaps it is because we understand things a little more now. The naivety is gone and it is not only the exotic, beautiful India that we see these days. We realize just how hard it can be to survive in this country, to live with dignity or to at least make it possible for your children to live with dignity. We haven’t learned something that we didn’t know before, but it has really hit home this time. Our realization however, doesn’t make this country any less fascinating. It is a matter of time until we come back. Although I want to spend a few years seeing other parts of the world, I know that just like this time, when India calls – you simply pack up and go.

 

Photo: The image at the top was taken on a previous India trip. I shot it in a neighborhood about 500 meters from the famous Taj Hotel in Mumbai. It wasn’t quite what you’d classify as the slums in India, but not much better. Insane contrast, the richest of the rich were staying at the Taj, while the poorest of the poor were living in less than ideal conditions and all that separated them from each other was a five minute walk. It’s the old cliché about India – the land of extreme contrasts, but it is so true and it is still tough to get your head around the whole concept when it comes to the rich and the poor.

Madurai

madurai-prayer-011From Kanyakumari it is a 250 km ride to Madurai. We've made it...barely. After over 10,000 km on the road over the past three months, our bodies are aching in places we didn't know could ache. The two-wheeled machine which has been transporting us all this time is "exhausted" too. It experienced another "major injury" - another crack right through the middle of its chasis on the way to Madurai, but somehow we managed to pull through to our destination.madurai-market-02madurai-market-01 Madurai is a fascinating city. My short time here would not do it any justice. However, I decided to at least have a peek at it, rather than to simply pass it by. Parts of the city are particularly photogenic. The fruit and vegetable market inside the city is as bustling and challenging to photograph as the fish market in Kollam. I came to this place every morning, I suppose more to absorb the atmosphere than to create any compelling images. Later in the mornings I'd go to the temple, the most famous temple in all of south India and arguably the finest example of Dravidian architecture - the Sri Menakshi. To my huge disappointment there was restoration work being done to the Sri Menakshi during my visit. Its giant, elaborately decorated towers were covered with faded, dry palm leaves. I was left only with post card images of what it looked like and my imagination of how it may look after the restoration. madrurai-temple-011 Thankfully the inside of the vast temple grounds was very much intact and buzzing with religious activity. I have a strange feeling in Hindu temples; it is as if I am both - a complete alien and totally at home there. All the rituals, the hundreds queuing up for darshan (blessing) or prashad (blessed food) and bowing to the Gods carved out of stone; on the surface none of it makes much sense to someone like me. I'm not religious by any stretch of the imagination, in fact I'd say I'm anti-religious at times, but the essence behind every religion is very human and when I think of that, I, as a human being can connect with it. I feel that behind the multitude of layers, the rituals at Hindu temples or for that matter any sites of worship, stand two universal factors - misery and hope. Misery and hope go hand in hand in and around the Sri Menakshi Temple. A poor farmer's family spends the night on the pavement by a make-shift fire, a deformed man begs for money, a newly-wed couple makes an offering and the fat businessman who has "made it" bows down to the Shiva statue - there is a degree of hope and misery that drives all of these people. They plead for a better life, money, happiness, forgiveness and they all hope that they will be heard by the divine. There isn't an individual in the world that doesn't suffer or hope. And as for surrendering to the divine, if it's not God that a person looks to, it's love, work, alcohol, drugs. The essence remains the same, only the layers around it change. Knowing this makes me feel at ease about the blanks in my knowledge of Hinduism. I can fill in those blanks. What makes me comfortable is the fact that those in the temple are humans, before they are anything else. Their actions are a manifestation of their cultural upbringing, but these actions are driven by the same misery and hope that I and every other human feel. We spent three days in Madurai. Our next stop is Bangalore. How we have to get there is another story.

At the edge of the world...or India.

at-the-edge-of-the-world Kanyakumari is where India ends. It's as far south as you can go before you face nothing but endless water. I thought it a rather romantic idea to reach "The world's edge", to ride all the way to Kanyakumari on the motorcycle, and finally we have made it. I've got no idea exactly how many kilometers this place is from Rajasthan, where we began the journey, but mine and Tanya's bottoms say "It's pretty damn far!" salt-workers-son Besides being a major place of religious pilgrimage, the biggest attractions of Kanyakumari are sunrise and sunset watching. Because the town is located on a narrow tip, right at the very bottom of India, it is possible to see the sun rise and set over the sea, and you only have to walk a couple of hundred meters from one spot to the other. As a result every morning there are hordes of mostly local tourists who line up to watch the sunrise and to photograph each other in silly poses at the sunrise point. In the evenings the same deal is repeated at sunset point. The whole area around those two spots is kitschy beyond description and rather irritating, due to the countless numbers of people trying to sell you tourist junk at every corner. But should you venture outside of the tourist zone, you will see a very different side of this region. sunset-point One day we decided to ride along the coastline road that headed north-east from the "Edge of India". The whole way felt strange, fascinating and edge-of-the-worldly. Sparsely populated fishing villages, government housing, likely erected after the 2004 Tsunami and churches, in almost every village, they seemed so out of place due to their grand design and enormous size that dwarfed anything we had seen in Goa. Without a map, a description of the area in any guidebook or any useful information from the tourist office the ride was exploration for the sake of exploring, a journey into the unknown. There were no demands for pens, chocolates or money along the way. It was beautiful "unadulterated" India. When we got back into town I was faced with the same dilemma that I have encountered a few times on this trip - a bit over three months to cover a relatively small part of India, but ultimately so little time. We have less than ten days until we fly back to Sydney and so the journey towards Mumbai must begin soon. The next stop is Madurai, we ride from there to Bangalore and travel by train for the remaining days.

me-edge-of-the-worldPhotos: Top and middle: A child of a salt worker, patiently waiting for mother with his juice bottle. I photographed this at a salt making field (or whatever you would call a place that makes salt). We came across it while doing our little exploration trip. We came back a few times, wanting to see the mother and son again, but they were no longer there. Second from the bottom: Tourists at sunset point. Bottom: This one's for my mum. She hasn't seen her son in over four months. Yeah, it's kinda cheesy, but till I get back I guess a photo is all she can see of me.